The Education of a Musician's Daughter | Austin Macauley Publishers ;
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By: Sonya Trevizo

The Education of a Musician's Daughter

Pages: 196 Ratings: 5.0
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Attending college in the late 60s and early 70s was a challenge, but for Susan (now known as Sonya), it was also a blessing. Despite suffering an identity crisis during her sophomore year and navigating the pitfalls of the drug culture, Susan ultimately benefited from the open-minded spirit of the era.

This book, however, starts at the beginning of Susan’s education, during her kindergarten year, where she flourished in a magical world shared with her best friend. This idyllic time abruptly ended when her father uprooted the family from their Queens apartment to Schenectady for a job teaching music in public schools. The transition was difficult, and it took years for Susan to thrive in her new environment. Her awkward growth spurt alienated her from peers, and an encounter with a bully left her traumatized. Yet, the most challenging relationship was with her mother.

Fortunately, Susan was guided by a series of role models. Her father, a soulful musician, remained devoted and his love shone through the darkest times. Her Hebrew School principal, a Holocaust survivor, inspired her with his faith and New Age vision of the future. Two public school teachers believed in her, fostering her self-confidence. Under the wings of her Aunt Sonia, a disabled woman with an infectious positive attitude, Susan thrived. Aunt Sonia’s captivating stories also illuminated their fascinating family history.

Sonya Trevizo, aka Susan Takaroff, was born in New York City. Her family moved to Schenectady NY when she was eight years old because her father had secured a position teaching music in the public schools. She earned a Liberal Arts degree with a specialization in photography at SUNY Binghamton. Her photography career began in Colorado at Sears Portrait Studio, and soon continued at Candid Weddings. She resumed her career at Lifetouch International Studios as a school photographer. The opportunity to write began when she volunteered at horse rescues. Since one of her responsibilities there was to photograph horses, she eventually began to write so that she could tell the stories documented by her photographs. Sonya currently resides in Schenectady, NY, where she spends most of her free time writing.
Customer Reviews
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  • John Elston

    I purchased and read this based on a recommendation from my Mother, but was gratified to learn that Sonya Trevizo's memoir offers a lot beyond just nostalgia for those who have an interest in the Schenectady, NY, of the 20th century. The young protagonist of this book navigates myriad micro-aggressions from close family members and the puzzling rapid transformations of 1950s and 60s culture, while attempting to unravel a sad family history of tragedy and depression. Like many child characters in similar literature, Sonya is reactive rather than internally motivated for much of the length of EDUCATION..., investing lavish attention towards the characteristics, actions, triumphs, and failings of others around her. It often seems as if she defines herself through her relationships to her father, mother, beloved aunt, college friends, and so on - or even through her analysis of them. Towards the end of the book, however, the author begins to reveal the significance of her outward-facing attentiveness. "I was having an identity crisis," she reveals in Chapter 29. Sonya reflects on how she tried in early childhood to pattern her behavior on Joseph from the Bible before realizing that mere imitation couldn't sufficiently solve her problems. After taking up photography in college, her camera became a tool for translating her complex observations and experiences. "If I told people how I felt, they often looked at me with a puzzled expression. But if I showed them one of my photographs, they understood the message the picture conveyed. Even I could understand my emotions better once I saw them in picture format." Sonya learns to use photography as an entrée to processing the complicated world around her and within her. Chapter 31, titled "I Begin To Carve Out My Identity" - which could be this memoir's subtitle - signals the Big Picture of the author's recollections: she entire eponymous "Education" has been that of a young person making sense of what they see and what they feel over the first two decades of their life, and grappling with how to communicate their perspective to those to whom they feel the closest. Trevizo teases out this theme delicately and gradually, but its eventual revelation proved highly cathartic for me. I, too, have spent many years-longer than twenty! - scrutinizing the strange and frustrating and human beings around me and contemplating how I might be like them, or might become more or less like them appropriately, yet struggling to manifest my own identity or communicate to others how I think and feel about them... and I think a lot of young people and adults can relate to that experience in this young millennium. Thus, I thank Sonya Trevizo for giving voice to that experience and for illuminating that it was an experience shared even by individuals in the past century; and I commend this fascinating and thoughtful book to readers everywhere.

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