Every Bad Thing | Austin Macauley Publishers ;
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By: Shannon Gill Burnett

Every Bad Thing

Pages: 150 Ratings: 5.0
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This dark and deeply moving novel from Shannon Gill Burnett follows the life of Danielle Smith, a woman from Green Bay, Wisconsin. From her childhood through her college years at Northwestern, to marriage, motherhood, and eventually a suicide attempt, Danielle's story is both heart-wrenching and raw.

After her attempt to take her life fails, Danielle is faced with a powerful revelation. Why should she be the one to go, when she has done nothing wrong? Her husband of twenty years announces he is leaving her to start a new life with his pregnant paralegal. Danielle, who gave up her career, her dreams, her figure, and her identity for her family, is left with nothing but questions.

Every Bad Thing explores what happens when a woman, hanging on by a thread, finally reaches her breaking point. What happens to any of us when we simply cannot hold on any longer?

The novel takes an unflinching look at revenge, mania, and the final act of desperation. It explores the complexity of human decisions, asking who is right, who is wrong, and what truly drives people to the edge.

Written with compassion and psychological insight, Every Bad Thing delves into the debate of nature versus nurture and the origins of our darkest choices. Through Danielle’s unraveling and her unexpected path of violence, the story brings her full circle to a place she never imagined she could reach.

Take a gripping and emotional journey with Danielle Smith. You may be terrified in one moment and cheering for her in the next. Discover the brutal beauty and haunting truth at the heart of Every Bad Thing.

Shannon Gill Burnett is a writer who has been crafting stories since the age of six. In her childhood, she wrote poems and movie scripts, acting out the characters in her bedroom on rainy Saturdays. She aspired to be Steven Spielberg—and still does. Over time, she evolved into a seasoned and meticulous writer. To her credit, she has written two short stories, four novels, and at least one hundred poems in her portfolio. She has also outlined and begun writing three additional novels: The Odyssey of a Bad Mother, Pieces of Eve, and Ugly Face Dolls.


Her favorite writers range from unknown poets and novelists to literary giants such as Hemingway, Henry James, and Charlotte Brontë. Her favorite book is Crime and Punishment, which she has read twice, admiring Dostoevsky’s remarkable ability to weave stories within stories and lessons within lessons.


Her literary hero is J. K. Rowling, whom she greatly admires for her perseverance and journey to success. Burnett firmly believes that success cannot come without struggle and that there is no gain without pain. When she writes, she enters what she calls “The Medium,” a space where inspiration flows freely. Often, she does not know where her stories originate—perhaps she is merely a conduit or catalyst. She can write for hours without pause, only to later look at her work in awe, as if discovering it for the first time. Writing in “The Medium” has made her a stronger writer and a better person.


The greatest compliment she has received is being called well-written, well-read, and well-spoken. Literacy is not just a passion for her; it defines her.


Her crowning achievement is the publication of her first novel, In the Medium, in 2012. Next to having her two children, this stands as her proudest moment. Originally written as a memoir to honor her late best friend, who lost her battle with cancer in 2011, the novel evolved into a rich, textured story about life, death, and the in-between—the great divide that ultimately unites us all.


As a writer, she has navigated the submission and query process, engaging with multiple publishing houses before ultimately choosing to self-publish In the Medium through iUniverse in 2012. Since its release, she has sold many copies, participated in book signings, and shared her work with countless readers—a dream come true.


In 2024, she published The Witching Hours Lullaby through iUniverse once again. Since its release in September 2024, the novel has taken her on an incredible journey. She has participated in book signings at three Barnes & Noble locations in Virginia, sold numerous copies, received a five-star review and many other positive reviews on Amazon, been approached by CBS Radio, and mentored young, aspiring writers. Her most exciting achievement to date is having The Witching Hours Lullaby sought after for a screenplay adaptation, to be written by a SAG member and potentially sold to Five Minutes More Production Company in Los Angeles (John Sacchi).

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  • Booksforbadal

    Every Bad Thing by Shannon Gill Burnett Shannon Gill Burnett’s Every Bad Thing is a haunting psychological novel that dares to ask difficult questions about identity, betrayal, and the breaking point of the human spirit. Equal parts devastating and cathartic, it immerses the reader in the unraveling mind of Danielle Smith, a woman who has sacrificed nearly everything for her family only to find herself discarded and forgotten. The novel begins in Green Bay, Wisconsin, where we meet Danielle as a child and follow her through her formative years, her time at Northwestern, and into adulthood. These early glimpses into her life are not just backstory—they provide the essential scaffolding for understanding how her choices, sacrifices, and suppressed dreams set the stage for her eventual collapse. By the time we meet Danielle as a wife and mother, Burnett has already planted the seeds of empathy in the reader. We see her not as a stereotype of suburban motherhood but as a fully realized woman struggling against the erosion of self. When Danielle attempts suicide, the novel pivots from despair to revelation. Her failure to end her life forces her into a painful question: why should she be the one to disappear when she has been the victim all along? This moment marks a turning point that drives the rest of the novel forward with a chilling inevitability. Soon after, her husband—coldly pragmatic and shockingly selfish—announces that he is leaving her for his pregnant paralegal. Burnett’s portrayal of this betrayal is raw and unflinching. It is not simply a marriage ending; it is the ultimate erasure of Danielle’s sacrifices, her dreams, and her identity. From this point, Every Bad Thing becomes an exploration of revenge, mania, and desperation. Danielle’s descent is meticulously drawn, balancing horror with heartbreak. Burnett does not sensationalize her protagonist’s actions, nor does she excuse them. Instead, she places the reader in the uncomfortable position of both fearing and rooting for Danielle. The novel asks: when stripped of everything—love, identity, dignity—what might any of us be capable of? Burnett’s greatest strength lies in her psychological insight. She refuses to paint Danielle as simply a victim or villain. Instead, the narrative interrogates the murky territory between nature and nurture, questioning whether Danielle’s choices are products of her environment, her biology, or the crushing weight of years of neglect. The novel thus transcends its thriller framework, engaging readers in a deeper philosophical and emotional inquiry about the origins of our darkest impulses. Stylistically, Burnett writes with precision and compassion. Her prose is taut yet deeply evocative, capturing both the starkness of Danielle’s despair and the terrifying clarity of her rage. The pacing is carefully controlled—never rushed, never indulgent—allowing the tension to build naturally until it crescendos in moments that are as shocking as they are inevitable. By the end, Every Bad Thing delivers a full-circle journey that is as unsettling as it is satisfying. Danielle’s path may terrify, but it also compels reflection on resilience, injustice, and the fragile balance between love and annihilation. Shannon Gill Burnett has crafted a bold, emotionally raw, and psychologically astute novel. Every Bad Thing is not an easy read, but it is a necessary one—a story that challenges us to confront the brutal beauty of human frailty and the haunting truths about what happens when we can no longer hold on.

  • Emily Young

    Every Bad Thing by Shannon Gill Burnett is a cataclysmic story of the life of Danielle Smith, a woman who experiences what it truly means to lose everything, and how that can make even the most sane person feel compelled to commit heinous acts of revenge at the expense to those around her. The emotional whiplash of seeing Danielle’s perfect life exponentially deteriorate will leave you reeling with a paradoxical sense of being both with Danielle and against her. This book is not for the faint of heart, but can offer everyone deep insight into what it truly means to be human.

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